Rona Green miniature print competition winners

 

Drum roll please…

 

 

The winners of a Rona Green miniature hand coloured linocut print are:

Adam Power

and

Robyn Pritchard

 

Congratulations!

 

Thank you so very much to each of you who took the time to enter the competition. It was uplifting to read all of your thoughtful feedback.

 

There will be more opportunities to win arty stuff in future, so stay tuned…

 

 


Win a Rona Green miniature print competition

 

It is my pleasure to present the chance to win one of two miniature hand coloured linocut prints by yours truly.

 

'Stripes' and 'Spotty', hand coloured linocut prints, 9 cm x 13 cm, by Rona Green

‘Stripes’ and ‘Spotty’, hand coloured linocut prints, 9 cm x 13 cm, by Rona Green

 

To enter the competition:

 

1. You must be a follower of this blog

(An existing or new follower – go to the ‘Follow This Blog’ info at the top right hand corner of this page to sign up)

&

Be one of my mailing list subscribers

(An existing or new subscriber  – click here to visit my website and sign up)

 

2. Leave a comment telling me in 33 words or less why you like my art and want to win a miniature print

(Click on ‘Leave a comment’ at the top of this blog post)

 

Entries close at 6.00pm AEST on Monday 1 June 2015.

The two competition winners will be announced in a blog post the next day.

 

Good luck!

 

 


Girl on film

 

A while back I was visited at my Abbotsford Convent studio by Kate Logan from The Learning Connexion.

The purpose of Kate’s visit was to produce a documentary about my art practice as a resource for The Learning Connexion students.

Here is a link to the finished film for your interest –

 

 

And for your enjoyment here are some Girls On Film…

 

 

* If you would like to receive invitations for future exhibitions you can subscribe to my mailing list by clicking here (and all subscribers who sign up and provide a postal address get a goody bag via snail mail).

 

 


Supergraph in Melbourne

 

Entrance to Supergraph at the Royal Exhibition Building in Carlton

Entrance to Supergraph at the Royal Exhibition Building in Carlton

 

Supergraph

Contemporary Graphic Art Fair

Royal Exhibition Building

8 Nicholson Street, Carlton, Victoria, Australia

10am-10pm Saturday 15 & 10am-5pm Sunday 16 February 2014

Visit the Supergraph website for further information.

 

Rona's prints on exhibition as part of Supergraph Picks

Rona’s hand coloured linocuts, Vilem the Villain and Lazer, on exhibition as part of Supergraph Picks

 

Interior of the Royal Exhibition Building

Interior of the Royal Exhibition Building

 

Prints by Pearl Law on display in the Supergraph Salon

Prints by Pearl Law on display in the Supergraph Salon

 

Illustrations by Melanie Webb in the Supergraph Salon

Illustrations by Melanie Webb on show in the Supergraph Salon

 

Work by David Frazer on view plus his portable printing press

Work by David Frazer on view plus his portable printing press

 

Checking out the scene at Supergraph

Checking out the scene at Supergraph

 

Souvenir Supergraph booklet

Souvenir Supergraph booklet

 

Check out all the Supergraph activity via Facebook and Instagram.

 

 


Two for one

 

RGreen_NCFL_invite

 

AKeywan_SPE_invite

 

Free entry, all welcome!

 


A discussion with Deborah Williams

Deborah Williams is an artist who is based in Melbourne, Australia.

Working with intaglio printmaking, she lovingly explores the world of the canine.

Please enjoy my dialogue with Deborah about her art and interests.

Deborah Williams, Looking in from the outside, 2012, etching, engraving and roulette intaglio, 58 x 77.5 cm, edition 20

Rona: Please describe your art for us.

Deborah: When I look at dogs in and around me, I question whether dogs are seen for what they are, as separate beings. I observe that while we do not objectify our dogs per se, our feelings are frequently filtered through human perspectives; these dogs are therefore anthropomorphized, brought unwittingly into our worlds.

I strive to challenge the anthropomorphizing of dogs even though I acknowledge that my work, in common with historical and contemporary contexts of the representation of dogs, is none the less filtered through my own perspectives and brought into our world.

I aim to depict the dog not as a breed above, apart or beyond, but of its own, captured in a moment.

Deborah Williams, Alternative view, 2012, etching, engraving and roulette intaglio, 36 x 89 cm, edition 20

R: Why is the dog as subject matter so special to you?

D: I did not consciously set out to make images of dogs. It just seemed to evolve organically. In 1992 I adopted a Blue Heeler x from the pound. Ruby accompanied me often to the studio and I drew her in those moments when I felt at a complete loss or creatively uninspired. This seemed to happen often.

I began to look at the dog as a potent marker for the fragility of the world we live in. And they represent the qualities we advocate but cannot sustain – unquestioning love, inner peace, inexhaustible spirit. They educate, intrigue and amuse me.

Deborah Williams, A point of view II, 2012, etching, roulette and engraving intaglio, 69 x 43 cm, edition 20

R: Who has been an inspiration to you art wise?

D: Noel Counihan. I was fortunate to grow up with his linocut print The Hunger, 1959. Counihan believed printmaking was a Socialist art form, easier to disseminate to the masses. This philosophy had a direct impact on my decision to study Printmaking and has continually inspired me. His images keep me grounded. They challenge me to keep reflecting and I believe, always will.

R: Which of your art making tools is the favourite?

D: Roulette wheels.

Deborah Williams, Projection, 2011, engraving and roulette, 21 x 19 cm, edition 20

R: When you are working what do you listen to?

D: RRR or music ranging from Joan as Policewoman, Gil Scott-Heron and Beethoven.

R: What is your all time favourite book, and are you currently reading anything interesting?

D: All time favourite book would have to be The Catcher in the Rye by J D Salinger and I’m currently reading Rin Tin Tin: The Life and the Legend by Susan Orlean.

R: Where do you like to visit for relaxation when not making art?

D: Somewhere warm with an amazing beach and great food. If that’s not possible, walking the parks around the Merri Creek or Yarra with my dog Kish.

R: Thanks for chatting with me Deb!

If you would like to see Deborah’s work in the flesh run along to her exhibition Sense of Self at Australian Galleries, 50 Smith Street, Collingwood, VIC, 3066. The show is on now and continues until Sunday 16 September 2012.

You can also check out more of Deb’s delightful work by clicking here to visit her website.