Strange soirées
Posted: 18 March 2012 Filed under: Artists, Inspiration, Rona | Tags: art, artists, Bela Lugosi, Diane Arbus, Dutch Golden Age, Frans Hals, inspiration, Jean Dubuffet, Jim Henson, Muppets, poppets, prints, Rembrandt, Rona Green, Thomas de Keyser, Vincent Price 5 Comments
Diane Arbus, Transvestite at her Birthday Party, N.Y.C., 1969
‘For me the subject of a picture is always more important than the picture. And more complicated.’
– Diane Arbus (1923-1971)
Boogie's 6th birthday party, 1978
All kinds of images fire up my imagination.
One photo in particular has intrigued me so much that I have created three different interpretations – it is a snapshot of my guy’s birthday party, illustrated above.
The first incarnation, party, was highly influenced by my love of Jean Dubuffet’s art.
Rona Green, party, 1995, lithograph, 17 x 30 cm, edition 4
Then there was Birthday Boogies, a mixed media piece including soft sculptural objects that I call poppets.
Rona Green, Birthday Boogies, 2002, mixed media, 27 x 35 x 3 cm
The poppets were born from a fondness for dolls, puppets and masks. As a kid I adored The Muppet Show produced by Jim Henson, and the colourful characters of Warner Brothers and Hanna Barbera cartoons.
Jim Henson and Muppets
After Birthday Boogies came Secret Robot Society, which incorporated my fancy of the Dutch Golden Age of painting.
Rona Green, Secret Robot Society, 2002, linocut and watercolour, 49 x 70 cm, edition 13
Favourite artists from this period in art include Rembrandt, Frans Hals and Thomas de Keyser.
Rembrandt, The Anatomy Lesson of Dr. Nicolaes Tulp, 1632
Frans Hals, Regents of the Old Men's Almshouse, 1664
Thomas de Keyser, The Syndics of the Amsterdam Goldsmiths Guild, 1627
After making Secret Robot Society I produced two more prints – Treacherous Boys With Charisma and The Ventriloquist – to form a trio of group portraits.
Rona Green, Treacherous Boys With Charisma, 2003, linocut and watercolour, 49 x 70 cm, edition 13
My creative process is very much about collaging together an eclectic range of source material to invent something otherworldly and somewhat absurd.
The dashing Bela Lugosi
The debonair Vincent Price
In the case of these prints I have referenced the Dutch painters along with TV shows, horror movie stars, dolls and puppets, as well as ideas about social hierarchy and esotericism.
Rona Green, The Ventriloquist, 2004, linocut and watercolour, 49 x 70 cm, edition 13
Old time ventriloquist
Thunderbirds - Brains and Scott
And finally I should make mention of the beloved Women’s Weekly Children’s Birthday Cake Book!
The Women's Weekly Children's Birthday Cake Book
Boogie's robot cake à la The Women's Weekly Children's Birthday Cake Book
PS: From now on I will be posting every Tuesday – until then, have a good week!
Precocious pets
Posted: 5 March 2012 Filed under: Artists, Rona | Tags: art, artists pets, Clement Freud, Lucian Freud, pets, Rona Green 4 Comments
‘Our perfect companions never have fewer than four feet.’
– Sidonie-Gabrielle Colette (1873-1954)
Colette and four legged friends
Pets are a favourite subject matter of mine.
The following prints are a set of portraits I created in homage to my pets Freddie, Byrd, Shane and Googie.
Rona Green, Lagomorphia, 2005, etching
Freddie
Rona Green, white Byrd, 2005, etching
Byrd and Shane
Rona Green, pretty boys, 2005, etching
Googie
Another artist – whom I adore – who was also inspired to depict pets was Lucian Freud (1922-2011).
Lucian Freud, 1947
Lucian once said ‘A painter’s tastes must grow out of what so obsesses him in life that he never has to ask himself what it is suitable for him to do in art.’
Lucian Freud, Girl with a Kitten, 1947, oil on canvas
Lucian Freud, Girl with a White Dog, 1951, oil on canvas
Lucian Freud, Eli, 2002, etching
Lucian Freud and Eli with gallerist William Acquavella in front of the painting Portrait of the Hound, 2011
Lucian’s brother, Clement Freud (1924-2009), a broadcaster, writer, politician and chef, was also an animal fan.
Clement Freud and Henry, 1966
So much so that he featured in a series of dog food commercials in the 1960’s:
Enjoy!
Who do you love?
Posted: 26 February 2012 Filed under: Artists, Rona | Tags: Adolf Wolfli, art, artist, Hans Prinzhorn, inspiration, Jean Dubuffet, Rona Green 12 Comments
Jean Dubuffet, Self Portrait, 1966, marker pen on paper
‘For a very long time I was too humble […] and lacking in confidence and composure; and I suffered cruelly because of this, appearing in my own eyes to be nothing more than the most abject dog turd. It was only at a late stage – when in the end I had resigned myself to living like a dog turd without shame or regret and making the best of the situation – that it dawned on me that everyone else was also a dog turd.’
– Jean Dubuffet (1901-1985)
Portrait of Jean Dubuffet by Marc Trivier
I love Jean Dubuffet.
While studying at university, one afternoon in the library when flipping through books in the art section, I turned a page and saw a reproduction of Man Eating a Small Stone by Dubuffet.
It turned my world upside down.
Jean Dubuffet, Man Eating a Small Stone, 1944, lithograph
Early in his life, Dubuffet was influenced by the German psychiatrist and art historian Hans Prinzhorn, and his book Bildnerei der Geisteskranken (Artistry of the Mentally Ill) published in 1922.
Hans Prinzhorn 1886-1933
Dubuffet collected an enormous amount of work by psychiatric patients, prisoners and children. He invented the term Art Brut (raw art) for the work produced by these non-professional artists. The collection is now housed at the Musée de l’Art Brut in Lausanne, Switzerland.
Heinrich Anton Müller, Man with flies and snake, c 1920s, crayon drawing
Adolf Wölfli, Saint Adolf wearing glasses, 1924, pencil on paper
Dubuffet once declared ‘For me, insanity is super sanity. The normal is psychotic. Normal means lack of imagination, lack of creativity.’
Jean Dubuffet, Pisser at the wall, 1945, lithograph
Jean Dubuffet, Bertelé Mondain, 1946, oil on canvas
Jean Dubuffet, La belle encornée, 1954, oil on canvas
Jean Dubuffet, Le deviseur II, 1969-1970, epoxy resin and polyurethane paints
Jean Dubuffet, Cabinet Logologique, 1967-1969, epoxy resin and concrete with polyurethane paints
Jean Dubuffet, Closerie Falbala, 1971-1973, epoxy resin and concrete with polyurethane paints
Jean Dubuffet, Portrait d'homme, 1974, mixed media on paper
Jean Dubuffet, Mêle moments, 1976, mixed media on canvas
Jean Dubuffet, Jardin d'émail, 1974, epoxy resin and concrete with polyurethane paints
One of my most ecstatic art moments was visiting the Kröller-Müller Museum when in the Netherlands and encountering Dubuffet’s Jardin d’émail. Indescribable.
Rona Green atop Jardin d'émail
Dubuffet expressed that ‘Art should always make us laugh a little and frighten us a little, but never bore us.’
Jean Dubuffet driving some hot wheels
Put simply the guy is mind-blowing and his effect upon me has been profound.
Rona Green, party, 1995, lithograph
So, who do you love?
Strokin’ is open
Posted: 19 February 2012 Filed under: Exhibitions, Rona | Tags: art, Australian Galleries, exhibition, Rona Green, Sydney 4 Comments
Australian Galleries Glenmore Road, Sydney, Australia
Strokin’ – an exhibition of prints, paintings and drawings by me – is now open at Australian Galleries Glenmore Road, Sydney, Australia and runs until Sunday 11 March.
Here are a few pics I snapped of the show installed at the gallery for your viewing pleasure.
My favourite work in the show is The Surgeon as it pays homage to my cat Googie.
Rona Green, The Surgeon, 2010, linocut, ink and watercolour
Googie Abwy (1992-2010)
If you are keen to see more work you can check out my artists page on the Australian Galleries website.
Greasy Rhys comes alive!
Posted: 12 February 2012 Filed under: Rona | Tags: art, creativity, inspiration, Rona Green 1 Comment
‘It would be vain to try to put into words that immeasurable sense of bliss which comes over me directly when a new idea awakens in me and begins to assume a definite form. I forget everything and behave like a madman.’
– Pyotr Ilich Tchaikovsky
Artists are often asked where their ideas come from. How the creative process works is difficult to describe verbally. So here is an illustration of the stream of consciousness that originated Greasy Rhys, who features on the invitation (image above) to my forthcoming exhibition Strokin’.
Let the show begin…
Silver Gull aka Seagull
Eastern Beach, Geelong
Hot chips
Sailor smoking
Norman 'Sailor Jerry' Collins (1911-1973)
Sailor Jerry tattoo flash
Tattooed sailor
Rona Green, Greasy Rhys, 2008, linocut, ink & watercolour, 38 x 28 cm, edition 13
Rona Green, Greasy Rhys, 2011, acrylic on canvas, 112 x 91.5 cm
Fin!
Rona is Strokin’
Posted: 9 February 2012 Filed under: Exhibitions, Rona | Tags: Australian Galleries, exhibition, Rona Green, Sydney Leave a comment
Rona Green 